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about 6 years
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Dead By Daylight
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| 1097s | one ah that was uh that was great |
| 1101s | good job guys hey they're talking |
| 1105s | alright everything's under control |
| 1107s | so we're here hi we have the countdown |
| 1110s | at zero in the back it's great |
| 1112s | alright guys happy what is it |
| 1117s | turkey day today in the US I think so |
| 1120s | yeah |
| 1121s | so well first off we're gonna say hi to |
| 1124s | everyone welcome to our hundred and |
| 1127s | fifteen livestream titled it needs more |
| 1132s | cowbell so up to that we're gonna say hi |
| 1136s | to cost a lot and just in at desk over |
| 1140s | there you don't see them but they're |
| 1141s | saying hi thank you to burn who |
| 1144s | installed everything as always welcome |
| 1147s | to our mods bucket |
| 1148s | Luzi Mandy keema PS fix Roy UT |
| 1153s | suggestive thank you for showing up |
| 1155s | today and welcome to my guest today so |
| 1159s | who are you guys you want to introduce |
| 1162s | yourself tell us a little bit what you |
| 1164s | do in that by daily yeah my name is |
| 1166s | Michelle FFA I'm the composer the music |
| 1169s | we brought a little surprise today and |
| 1172s | we'll explain a little bit later what's |
| 1173s | that all about with you and David Bowie |
| 1178s | Bowie send you some designer actually |
| 1181s | I'm just on the design here on the by |
| 1183s | daylight awesome so uh we have a sound |
| 1186s | panel that is planned a little bit later |
| 1189s | but for now we have a few announcements |
| 1191s | before so this is where I talk by myself |
| 1194s | for like five minutes |
| 1195s | bear with me first announcement we are |
| 1199s | lunching officially the fog whisperer |
| 1201s | program tomorrow so keep an eye on |
| 1203s | social media for people broadcasters who |
| 1207s | are interested to join us in the fog |
| 1209s | whisperer program so that's cool right |
| 1212s | it is currently this team Awards you can |
| 1216s | you can vote for you know your favorite |
| 1219s | game or your favorite game or maybe your |
| 1222s | favorite game until |
| 1225s | till November 27 so uh maybe think about |
| 1228s | that by daylight then then I don't know |
| 1234s | if you guys know but it's been super |
| 1236s | cold in Montreal today we went down to |
| 1239s | what - 26 degrees Celsius with wind |
| 1243s | chills - a thousand I think - a thousand |
| 1246s | it was uh it is very very cold in |
| 1248s | Montreal you guys might have seen |
| 1251s | something on their social media |
| 1252s | yesterday you might want to know a |
| 1254s | little bit more about that do we have |
| 1256s | anything to complete what we showed |
| 1259s | yesterday or to add to |
| 1275s | okay so wait wait you guys see that |
| 1279s | problem dude do you want to see it again |
| 1281s | I think I think we want to see it again |
| 1283s | right |
| 1298s | all right um we're not gonna come in on |
| 1301s | this we're gonna let you guys go nuts so |
| 1305s | have fun with this it's all you get |
| 1307s | today |
| 1307s | well a part friend you know you amazing |
| 1311s | guys anyways going with with this what |
| 1316s | are we doing that next week next week is |
| 1318s | gonna be the PTB |
| 1319s | coming up so you guys are gonna be able |
| 1321s | to see more but for now just think about |
| 1324s | what you saw today all right and early |
| 1329s | December is six of December we are at |
| 1332s | the Game Awards so Matt is gonna be on |
| 1334s | the big scene and he's gonna talk about |
| 1336s | cool stuff for DVD so that was all for |
| 1340s | the announcements now we can go back to |
| 1342s | you guys you guys introduce yourself a |
| 1346s | little bit but so you are a music |
| 1348s | composer yes and you're doing well |
| 1351s | senior sound design I do do doing the |
| 1354s | game audio in the game alright so how |
| 1358s | did you end up working on DVD for |
| 1361s | example like how is a musician end up |
| 1364s | working on a video game actually you |
| 1367s | have to love being a game in the first |
| 1369s | place |
| 1369s | that's kind of you know first things you |
| 1373s | have to love video games period and how |
| 1376s | we met maybe yeah yeah we had a long |
| 1378s | time ago yeah we worked on another game |
| 1380s | and |
| 1381s | is very different from that by daylight |
| 1384s | was kind of very action-oriented |
| 1387s | orchestral stuff more for kids yeah |
| 1389s | morning for kids so FIDIC to take a big |
| 1394s | leap of faith but you knew I was you |
| 1396s | know yeah anyone was able to do so very |
| 1399s | grungy stuff so wait so you went from |
| 1402s | kids games to dead by daily yeah not |
| 1406s | right away but a few years after |
| 1407s | afterwards well dude it's we have some |
| 1411s | mechanics that we have we need a |
| 1415s | composer that understand how it works |
| 1417s | what is the limitation what is a loop |
| 1420s | what is layers and so that's something |
| 1426s | in common between the two games and in |
| 1429s | the first games will we work one it was |
| 1433s | really challenging on tyke a tech side |
| 1435s | and actually it did the work really well |
| 1440s | and challenge for that but that game is |
| 1444s | that it was something flying I don't |
| 1447s | know we'll just say that for that it's |
| 1449s | something flying and that was going into |
| 1452s | a lot of different countries so we had |
| 1455s | to have like a basic track for every |
| 1458s | country with a general style but on top |
| 1462s | of the DOS track we have like music |
| 1464s | going on top of it like to add a flavor |
| 1467s | like in China flavor big flavor there so |
| 1472s | we have the same kind of mechanics in |
| 1475s | the in our game in that daylight so by |
| 1479s | example for the proximity yeah many |
| 1481s | layers and these music is a big part of |
| 1484s | how the gameplay goes down |
| 1486s | for example chase music or heartbeat I |
| 1489s | know how is a music playing yes okay we |
| 1492s | have to drive it by States or the |
| 1495s | survivor States or by if the exit is |
| 1498s | really a |
| 1499s | - and it's a old kind of situation drive |
| 1504s | the music so it's a lot of yeah music |
| 1509s | the the biggest challenge I think for |
| 1511s | that buyer was the proximity music |
| 1513s | because we only have like a window of 20 |
| 1517s | seconds of every music so each time we |
| 1522s | we we have the music is giving an |
| 1524s | indication so it's very our time it's |
| 1527s | very short so it's very very challenging |
| 1531s | to have like a only 2025 second loop and |
| 1535s | it's not boring mm-hmm that's the |
| 1537s | biggest challenge I think |
| 1538s | and for your part the mechanics is that |
| 1541s | it can change very rapidly with the |
| 1543s | heartbeat heartbeat and stuff like that |
| 1545s | maybe you can actually it was a lot of |
| 1548s | experimentation at the beginning we |
| 1550s | start with like by example with four |
| 1551s | layers we cut someone took me three |
| 1554s | because the feedback is was more clear |
| 1557s | for a player like it far away close and |
| 1560s | really close and actually and here but |
| 1565s | but yeah we change the the fourth layer |
| 1568s | with the the chase because we and it was |
| 1572s | the part of the prototype oh now we can |
| 1574s | maybe do a chase and how the chase work |
| 1576s | is on half and or is it a layer or what |
| 1580s | is the rules for the chase and the chase |
| 1583s | was almost like a like a brand new piece |
| 1585s | of music yes compared to zip and for me |
| 1588s | I said to Michelle I want that I want |
| 1592s | that the Chase is a adding stuff on over |
| 1595s | the proximity music not a different |
| 1597s | piece of music and it was like okay but |
| 1599s | the layer three was all really something |
| 1603s | I so he said okay what can I do now to |
| 1608s | add that little so so we're gonna come |
| 1612s | back to the chase music but if we if we |
| 1614s | go through the process to create for |
| 1616s | example the lobby music because we we |
| 1619s | had lobby music changes for you know |
| 1623s | chapters the clown music guys don't you |
| 1626s | miss it |
| 1627s | and I'm making jokes because you |
| 1631s | you know we discussed about it a little |
| 1633s | bit it was uh it was bugged or forget |
| 1636s | forgotten and then we had the change the |
| 1638s | Tom music food for three months yeah I |
| 1641s | was in the game so people are actually |
| 1643s | missing the the original music so it was |
| 1651s | back and then we absolutely a new one so |
| 1656s | uh what's what's the process to create |
| 1658s | the just a lobby music and all the |
| 1661s | variants first off it's very different |
| 1664s | from other games and I think it's fair |
| 1665s | the echo came up with this idea is that |
| 1667s | in the lobby music when you change to |
| 1670s | survivor and killer the music change |
| 1672s | accordingly and afterwards we did a lot |
| 1674s | of new music for new characters and so |
| 1678s | the the challenge was to have like |
| 1682s | something that is working perfectly with |
| 1685s | every track so that could change the |
| 1689s | music if you're a killer of survivor and |
| 1692s | it seamlessly you know you don't feel it |
| 1695s | as but it's of course the killer is kind |
| 1698s | of more guitar-oriented big distortions |
| 1701s | and the survival part with all acoustic |
| 1704s | guitars and bass I can't fire guitar |
| 1708s | yeah do we have any video I think from |
| 1715s | the first time you did the riff for the |
| 1719s | that was not for too loud okay sorry no |
| 1721s | it's not for the lobby was for Danny |
| 1723s | yeah yeah I think it's yes sometimes we |
| 1730s | don't have the same famous because when |
| 1732s | you put it in the game it has a like a |
| 1734s | technical name yeah entity brain |
| 1751s | [Music] |
| 1760s | [Music] |
| 1766s | [Music] |
| 1774s | yeah I love the action in here yeah it's |
| 1777s | funny because for that that piece of |
| 1780s | music can't ask me can you record |
| 1783s | yourself a little bit for the team so |
| 1784s | they know what you're doing in the |
| 1786s | studio |
| 1786s | yes I said sure well you know I've |
| 1788s | attract to do today and that actually |
| 1791s | was the first stake |
| 1792s | and it went well so I that's what I |
| 1795s | sense and that's the exact piece that's |
| 1798s | in there the game right now but of |
| 1800s | course with all those who stick |
| 1802s | instrument for that body light |
| 1804s | everything is the tune solo it's crazy |
| 1807s | and I'm doing you know things that you |
| 1809s | shouldn't do to an instrument for |
| 1811s | example I would I would add like a |
| 1813s | 4-string bass for new musicians I out |
| 1816s | there and I would put like a a B string |
| 1820s | on a 4-string bass and detune the B |
| 1823s | string all the way down to a flat so in |
| 1827s | the Muny music that's that's what I'm |
| 1828s | playing being with a pick a flat you |
| 1832s | know it's a super little dub you know |
| 1834s | that's how I got the the the sound of |
| 1836s | the hobby music and you were telling me |
| 1839s | when we met earlier that you were |
| 1843s | presenting your music and then you've |
| 1845s | been told |
| 1846s | still to light what does that mean oh |
| 1848s | yeah something especially at first when |
| 1851s | I when I was scoring the music some time |
| 1853s | with no I was leaning like something |
| 1856s | would be winning something you know but |
| 1858s | then the producer cut mm no no it has to |
| 1861s | be always down always negative there you |
| 1865s | know is there's a happy world there's no |
| 1868s | escape |
| 1868s | what do you think you're dead you're not |
| 1870s | you know yeah it's like a little sad |
| 1873s | they're adding sadness and the music |
| 1876s | especially in the lobby especially in |
| 1878s | the lobby so like you managed to make |
| 1881s | sleigh bells yeah a dark music or yeah I |
| 1887s | do believe that we have it it's the |
| 1889s | winter theme and it winter a special |
| 1892s | event right no we don't have it we don't |
| 1896s | have it you don't have it my god I |
| 1898s | thought I thought okay okay I thought I |
| 1901s | thought in the list anyways so yeah you |
| 1904s | managed to make sleigh bells |
| 1907s | dark music yeah actually again again I |
| 1909s | did tune everything either real real |
| 1911s | sleigh bell but I put in the sampler and |
| 1913s | I did you in solo when I put some |
| 1916s | distortion on it and big you know church |
| 1918s | bell so again with distortion and what |
| 1923s | do you get for direction when they ask |
| 1926s | you okay we need you know for the the |
| 1929s | curtain called chapter for the clown for |
| 1931s | example what do you have for the |
| 1934s | direction from them actually in the |
| 1936s | process I I receive a I give a first |
| 1942s | feedback to Michel so we can start but I |
| 1945s | had to you can start but I don't want to |
| 1948s | limit him too much we do data at that I |
| 1952s | know that it can create really well so |
| 1955s | but it needs some direction so at the |
| 1958s | only thing I I try to to do to show him |
| 1962s | it's a picture or something about the |
| 1965s | team if I got a picture that's that's |
| 1967s | all I yeah and how about the barbecue |
| 1969s | event oh we had a barbecue and was |
| 1971s | really funny because something I don't |
| 1973s | have a picture to show yeah I have to |
| 1975s | describe if I remember correctly your |
| 1977s | only instruction was you know barbecue |
| 1980s | yeah barbecue and I said no it's a |
| 1986s | special event it's kind of a barbecue |
| 1989s | event okay we try to put some words on |
| 1994s | the what it does summer event and it was |
| 1997s | funny actually yeah some ribbon yeah |
| 1999s | actually I sampled my my real barbecue |
| 2002s | and you did actually real bodies here at |
| 2005s | real if you go back and listen to the |
| 2008s | summer event this one now everyone wants |
| 2011s | to know what we're grilling at the time |
| 2014s | my feet |
| 2016s | [Laughter] |
| 2025s | [Music] |
| 2036s | [Music] |
| 2059s | [Music] |
| 2065s | [Music] |
| 2091s | all right so hey we're back yeah first |
| 2095s | far before that piece of music we didn't |
| 2097s | hear it but if I remember correctly you |
| 2100s | asked me also to have like a Western |
| 2102s | kind of flavor in there but not no you |
| 2107s | know not funny kind of funny kind of you |
| 2110s | know file type thing you break it in |
| 2112s | because we I was looking for a style of |
| 2116s | music to describe what side we are using |
| 2118s | and I was like okay I don't know what |
| 2122s | could fit for barbeque as is so and you |
| 2127s | bring it like a test yeah I mean the |
| 2130s | first I think the first one was Western |
| 2134s | oh we try something I like big more you |
| 2138s | Jamaican style too but it didn't work |
| 2141s | yeah Jamaican spaghetti western yeah |
| 2144s | together I wish I heard that yeah the |
| 2149s | process is quite it's quite interesting |
| 2151s | because it's you know it's a it's a |
| 2154s | teamwork effort because sometimes I can |
| 2156s | oh I have an idea about something and I |
| 2158s | I send it to him oh yeah like it I like |
| 2161s | that sound |
| 2162s | so we emphases on more on something and |
| 2165s | then we start from there and then |
| 2167s | without more weight |
| 2168s | yes so it's pretty awesome to do what |
| 2172s | would you say is your biggest challenge |
| 2173s | when you when it comes to creating the |
| 2176s | music for that like a life I didn't mean |
| 2178s | the lovely music or the music in general |
| 2180s | everybody and it was the proximity for |
| 2183s | surely proximity because we had a lot of |
| 2186s | music for proximity and not really a lot |
| 2188s | of reference actually we had at that |
| 2193s | time we did not almost any picture of |
| 2196s | the characters and you know we only knew |
| 2200s | that the music would give you know clues |
| 2204s | to today |
| 2206s | and the tension for me it was really |
| 2209s | important to give attention constant |
| 2211s | attention to the player and it was no |
| 2213s | blank or something so we we can fill |
| 2217s | that stressed the stress and the the |
| 2219s | yeah and the thing I'm always thinking |
| 2222s | about when I'm scoring for for a game is |
| 2225s | that I always put myself in the player |
| 2227s | chair well you actually played that yeah |
| 2229s | yeah I was very lucky because since I |
| 2232s | was in the project from from early on I |
| 2235s | was able to come here to play you know |
| 2238s | the what you call them prototype |
| 2240s | prototype and to see the mechanics and |
| 2243s | then you go back to the studio it's much |
| 2245s | easier because my my head is full of |
| 2247s | images and mechanics how it works but |
| 2250s | for a proximity we didn't have that yet |
| 2252s | so yeah yes and then I went to the |
| 2256s | studio to I remembered what that's right |
| 2258s | the first lobby music we did that the |
| 2261s | original one actually we did the killer |
| 2263s | and then the survivor and for the |
| 2265s | neutral one the introduction we didn't |
| 2270s | know what kind of instrument piano and |
| 2273s | string so I went to the studio and we |
| 2276s | tried different kind of pianos maybe you |
| 2279s | guys want to see this to do I know we |
| 2281s | had a few image yes we where the music |
| 2285s | happens yeah it's too bad I wanted to |
| 2287s | show you a clip but you know if if you |
| 2291s | guys like the that which today maybe |
| 2293s | what time we can do a twitch right there |
| 2296s | in this to you well we can just probably |
| 2297s | manage something yes absolutely that |
| 2300s | would be awesome so I can show you |
| 2302s | really comforting the cow just |
| 2304s | confortable oh yeah that's my main man |
| 2307s | let's set water right yeah of course |
| 2311s | yeah that's the guitar there yes so wait |
| 2317s | so do you play every single instrument |
| 2319s | that we see there yeah I'm playing yeah |
| 2323s | my formation is it |
| 2324s | classical percussion but always play |
| 2326s | drums since I'm like 70 years old and |
| 2329s | come from a family where is that where |
| 2332s | the music was you know my father is a |
| 2334s | choir director so we have like accordion |
| 2337s | recorders piano you know drums that only |
| 2341s | I always play all these instruments |
| 2343s | since I'm very young so it's you know I |
| 2346s | I don't think about it and the way I |
| 2349s | create most of the time is when I need a |
| 2352s | different style I pick up a different |
| 2354s | instrument and what the music comes out |
| 2357s | it's different if I play piano the same |
| 2359s | the same music on different instrument |
| 2362s | it's gonna give it different |
| 2364s | yeah but more like yeah for inspiration |
| 2366s | okay if I if I'm on the piano something |
| 2369s | would come out that would not come on |
| 2370s | and guitar or bass i play percussion |
| 2373s | it's something else also so I mix and |
| 2375s | match everything all the time and for |
| 2377s | that by daylight we have a lot of |
| 2379s | organic music I use samples of course |
| 2382s | but I would say like 80% is organic |
| 2385s | phase really gets our real percussions |
| 2387s | and and you all true also two |
| 2389s | distortions and and and you know the |
| 2393s | wrong string and all the the things that |
| 2396s | you changed oh yeah changing yeah yeah |
| 2399s | so you were saying you actually recorded |
| 2402s | your barbeque do you use like you know |
| 2405s | like me Kolkata I don't know in English |
| 2408s | like contact mics know I sound samples |
| 2412s | or do you do you just record instruments |
| 2415s | no no I use you know I use a good stereo |
| 2419s | microphone they put it over not over |
| 2421s | because it wouldn't melt or debarred on |
| 2424s | the side a little bit |
| 2425s | and then I just started barbecues was |
| 2427s | the last recording yeah last recording |
| 2430s | for it was my cell phone so is there |
| 2431s | anything else that's like unusual in the |
| 2434s | music that you can say like oh yeah |
| 2436s | that's barbecue sound or this is you |
| 2439s | know |
| 2439s | well my labels and this is that you use |
| 2442s | for DVD yeah well you can hear it it's |
| 2445s | it's pretty obvious maybe not in the |
| 2446s | maybe not like the normal person yeah |
| 2449s | but they do if you |
| 2451s | pay attention for example if you paid |
| 2453s | that just like a summer music and listen |
| 2455s | to it again at like three quarters you |
| 2456s | know you're like that's a hockey yeah in |
| 2460s | the summer yeah it's beautiful we had a |
| 2464s | lot a lot and a lot of the men for you |
| 2468s | actually playing the theme on the guitar |
| 2470s | here oh I can but it's it's not I don't |
| 2473s | know how the bikes are gonna deal with |
| 2475s | this |
| 2475s | open up they're not whoops but it's not |
| 2486s | in the right zone that's normal don't |
| 2488s | also you you would have to distort |
| 2490s | everything can you hear something |
| 2496s | [Music] |
| 2502s | [Music] |
| 2504s | argue it they like more and and the same |
| 2507s | speed |
| 2509s | [Music] |
| 2514s | but I play like order but I do you |
| 2521s | detune everything yeah so right now this |
| 2524s | one was - yeah you're are you detuning |
| 2526s | it for us |
| 2528s | same thing for the piano there are |
| 2530s | general track yeah it's like I said to |
| 2533s | him it's not sad enough that was like |
| 2538s | country I think it's because there was |
| 2541s | not enough detuning right yeah actually |
| 2544s | I would put the 7 string guitar on the 6 |
| 2550s | string guitar so that that one here it's |
| 2554s | much much bigger so I can detune it |
| 2557s | lower and it's still sound good if you |
| 2560s | go back to the main lobby team that's |
| 2563s | what I did with all the guitars I use |
| 2564s | like a classical guitar acoustic guitar |
| 2566s | electric guitar |
| 2568s | everything is mix and match and there |
| 2570s | are layers |
| 2571s | yeah well gel together they all play |
| 2573s | together and yeah and so if if we go |
| 2577s | back to game play music because you were |
| 2579s | saying you were talking about the |
| 2580s | proximity music but a lot of people are |
| 2583s | asking about chase music actually and |
| 2585s | the actual chase music - are we ever |
| 2588s | gonna see another cheese music other |
| 2591s | type of cheese music actually we have |
| 2593s | six variation of the proximity music |
| 2595s | each variation as his own chase music so |
| 2599s | when you came out of the proximity |
| 2600s | radius if there is a random and then |
| 2603s | when you come back it's a new music a |
| 2606s | new variations playing so actually all |
| 2611s | killers have the same six variation but |
| 2616s | not for our doing our winner is own |
| 2618s | music system and it was really fun to do |
| 2622s | and it was really honored to have John |
| 2625s | Carpenter validate our work and you can |
| 2629s | be proud |
| 2629s | oh yeah was really fun yeah I think he |
| 2632s | was it was at |
| 2633s | about you know I was able to reproduce |
| 2635s | the exact sound you know what the kind |
| 2638s | of |
| 2639s | ding-ding-ding-ding so for the time I'm |
| 2642s | gonna I'm gonna go over this and so a |
| 2645s | lot of people love the fact that Meyers |
| 2647s | has his own music and they're asking for |
| 2650s | their own music theme for each killer is |
| 2653s | that something that you know you you you |
| 2655s | think would be possible or it's possible |
| 2658s | but depends of the if it's a licensed |
| 2662s | killer we can't do what we want |
| 2665s | sometimes like for Freddie it was not it |
| 2669s | was no way because I don't have all the |
| 2672s | reason but it was no it was so no sir it |
| 2676s | for many reasons so let's let's take out |
| 2678s | the license or yeah the idea is that |
| 2681s | people love that Myers has a specific |
| 2684s | music Mira so could we make a music for |
| 2686s | nurse or music for hunters it's a long |
| 2689s | process to do that kind of music as a |
| 2693s | mechanics also I think right yeah |
| 2694s | actually it could if it's possible yes |
| 2699s | yes it's possible |
| 2700s | so now we have to ask Mathieu is it plan |
| 2708s | no it's not everything is possible but |
| 2711s | it's possible but it's not a plan right |
| 2713s | now that we actually do that then I'm |
| 2720s | gonna go to hear a lot of people are |
| 2722s | asking for buying the soundtrack so |
| 2724s | we're gonna we're gonna answer that |
| 2726s | question right away you can buy it on |
| 2728s | you know it's on Steam yeah right now |
| 2730s | and I think they're working on it too to |
| 2733s | make it too broad but right now I think |
| 2736s | it's only on Steam and I'm not sure if |
| 2740s | you can only buy the soundtrack I think |
| 2742s | you can only buy the soundtrack |
| 2744s | if not I think you have to buy the baby |
| 2747s | the entire game yeah yeah |
| 2749s | plus the soundtrack as a DLC a but I |
| 2751s | think it's possible to buy only the |
| 2753s | soundtrack things without to check it |
| 2755s | out |
| 2756s | you send me the link for for you guys |
| 2759s | alright so um if we're going back to |
| 2762s | this guitar right here yeah the idea for |
| 2766s | this guitar behind this guitar but first |
| 2768s | of all I'm a little geek so I just like |
| 2772s | those kind of thing pics with you know |
| 2775s | characters on it and guitars with |
| 2776s | characters on it and I just loved it and |
| 2779s | I thought you know since the game is out |
| 2783s | I had so many fans wrote to me directly |
| 2788s | on my website you can you can go and |
| 2790s | write to me about the music and asking |
| 2793s | asking question about the music and all |
| 2795s | that and also on YouTube there's a lot |
| 2798s | of comments we're gonna put your your |
| 2801s | links also a few guys can awesome so I |
| 2805s | thought I I wanted to give something |
| 2808s | back to the community so I thought okay |
| 2810s | let's let's do it that by day like |
| 2812s | guitar and give it away to the community |
| 2815s | so that's the idea beyond that we that's |
| 2819s | we thought yeah the beginning of the |
| 2821s | week we just don't know yet our cow |
| 2823s | we're gonna give it to you guys but it's |
| 2826s | for you |
| 2827s | that's for sure somebody we don't money |
| 2828s | is gonna have that guitar we don't know |
| 2830s | how it's gonna happen yeah but it will |
| 2832s | happen and it's gonna be available for |
| 2837s | for the community and on top of it will |
| 2840s | will have the all the production team |
| 2843s | sign it so it's gonna be signed so it's |
| 2845s | gonna be one of a kind you're in the |
| 2847s | community it's a really neat art that's |
| 2849s | a real guitar you know it's not a super |
| 2852s | expensive guitar but it plays well and |
| 2854s | the for you did you choose that we can |
| 2856s | yeah I use it for what we're doing right |
| 2858s | now that we can't not that about can you |
| 2861s | can you confirm that this is your |
| 2864s | website yeah you guys can go and check |
| 2868s | out his website also but yeah right now |
| 2872s | it's not sign right away |
| 2874s | Matt's on vacation so we're gonna I'll |
| 2876s | just wait until he's back to make sure |
| 2878s | that we have Matt's signature |
| 2882s | listen you guys I would I would keep you |
| 2884s | longer but this is this is Freddie Mazda |
| 2887s | of the stream right now I'll go over the |
| 2890s | announcements and if you guys have more |
| 2893s | questions for forehead and Michelle |
| 2897s | don't hesitate to send us Senate our way |
| 2900s | and maybe we can do this again sometime |
| 2902s | absolutely that would be awesome maybe |
| 2904s | from the studio this time yeah with |
| 2906s | actual you know actual music going on |
| 2909s | and I will not be part of that I can |
| 2916s | sing of them if you want alright guys |
| 2921s | going over the announcement again fog |
| 2925s | whisperers we are launching the program |
| 2927s | fully tomorrow steam Awards are going in |
| 2931s | on right now don't forget about us dead |
| 2935s | by daylight that's the name we show you |
| 2937s | something that we're not gonna show you |
| 2939s | again so I hope you had a good look ptb |
| 2942s | next week and Game Awards on December it |
| 2945s | is six Matt's is gonna be over there |
| 2947s | talking to you guys that's awesome |
| 2950s | so thank you so so much for for showing |
| 2953s | up and and coming meeting this community |
| 2956s | and I hope you guys had fun I don't have |
| 2959s | a word of the day I think it would be |
| 2963s | just that it needs more cowbell |
| 2965s | oh yeah word of the day it needs more |
| 2971s | cowbell bye guys |