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11 months
ago -
Diablo
-
Direct link
Transcript (by Youtube)
| 0s | foreign |
|---|---|
| 8s | [Music] |
| 51s | it's been quite a kind of undertaking |
| 54s | we've we've started off with |
| 57s | panels of amazing paintings and |
| 59s | gradually expanded with Halsey |
| 66s | [Music] |
| 70s | so the beginning is like this kind of |
| 72s | bonus beat where we set up the mystery |
| 74s | we don't know who it is what it is and |
| 76s | then we cut to her face as she stops |
| 78s | right |
| 80s | around and then we cut to the back end |
| 83s | of the shot |
| 87s | okay I think that's awesome |
| 88s | that's great I think I'm good to move on |
| 93s | and then adding sugar into the mix has |
| 96s | created a really interesting |
| 98s | multi-continent World which is brought |
| 101s | to life a really interesting game that |
| 104s | is kind of fascinated me from a farm |
| 110s | so this is you looking down and it's |
| 112s | slowly looking up then after that we're |
| 114s | gonna move to the more dynamic |
| 117s | black smoke and that's going to be the |
| 119s | wide shot |
| 122s | what inspired me about the approach with |
| 124s | regards to Lilith is that it comes from |
| 127s | this dark sense of self-destruction and |
| 130s | I think having the ability with an |
| 132s | artist at housing who was Keen to |
| 135s | play up with these injuries and menacing |
| 139s | kind of tones that came out as she moved |
| 142s | through this this dark Church |
| 143s | [Music] |
| 146s | produces perfect metaphor of okay I'm in |
| 149s | this world I'm self-destructing and it's |
| 152s | gradually taking me down but I'm still |
| 154s | going to power on through everything |
| 162s | and then to take sugar as well means |
| 164s | that we've kind of created this mashup |
| 167s | in this unique combined interesting way |
| 171s | [Music] |
| 180s | [Music] |
| 190s | foreign |
| 202s | [Music] |
| 223s | [Music] |
| 232s | [Music] |
| 236s | foreign |
| 239s | I think the creative aspirations to |
| 242s | bring to life a video game and not just |
| 244s | a traditional way but to kind of break |
| 246s | the boundaries like mixing it up with |
| 247s | pop in a in a unique environment and |
| 250s | then adapting a song which I've seen |
| 252s | transition and change over the course |
| 254s | which is a really interesting Journey |
| 256s | seeing the music become what it is today |
| 265s | under |
| 284s | foreign |