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| 4s | # CHILL HIP-HOP BEAT |
|---|---|
| 22s | MURPHY SNIFFING |
| 25s | MURPHY PANTING |
| 27s | MURPHY SNIFFING |
| 40s | TOY SQUEAKING |
| 44s | DOORBELL RINGS, MURPHY BARKS |
| 46s | SIPS |
| 47s | MURPHY WHINES |
| 50s | VIVIAN: Huh. Agent Tremblay. |
| 53s | Rough night? |
| 54s | TREMBLAY CHUCKLES |
| 55s | Tell me about it. |
| 58s | (CHUCKLES) I, uh… I know it hasn't been three months. |
| 61s | May I? |
| 65s | Murphy! |
| 67s | Who's my good girl? |
| 70s | Hmm. I don't understand it. |
| 72s | She's usually a very good judge of character. |
| 75s | TREMBLAY CHUCKLES |
| 77s | Yeah, we all have our blind spots. |
| 81s | I have croissants. |
| 83s | Oh. |
| 84s | Thanks. |
| 86s | SIPS |
| 90s | So, for official purposes… |
| 93s | Are you Vivian Chase, former rank of Captain in Overwatch, |
| 97s | call sign: Sojourn? |
| 98s | I am. |
| 99s | And have you been in compliance |
| 100s | since the Petras Act terminated Overwatch's charter? |
| 103s | No vigilante activity? |
| 107s | Wherever you're going, |
| 108s | let's just get there. |
| 111s | We intercepted this a while back. |
| 115s | Just broke the encryption. |
| 116s | Someone has to do something. |
| 118s | -TREMBLAY: I take it you saw it already. -We have to do something. |
| 121s | Then you know that I didn't respond. |
| 124s | I have a good life now, Noah. |
| 126s | It's… clean, simple. |
| 128s | (SCOFFS) Right. |
| 129s | But how could you ignore that? |
| 132s | Heck, I was inspired. |
| 135s | And those are your people out there, |
| 137s | violating the Petras Act. |
| 140s | Am I supposed to just trust that you're not? |
| 143s | MURPHY SLURPS |
| 144s | Murphy, down! |
| 145s | MURPHY WHINES |
| 147s | Croissant's getting cold. |
| 149s | You… have a presence in the area, yes? |
| 155s | You hear things? |
| 157s | Hear anything about an underground Omnic insurgency? |
| 164s | Last night, my unit was investigating an extremist cell |
| 168s | with ties to Null Sector. |
| 171s | Got more than we bargained for. |
| 175s | MARCHAND: CSIS! Freeze! |
| 180s | TREMBLAY: But then something - someone - |
| 183s | happened. |
| 185s | # EPIC ORCHESTRAL MUSIC BUILDS |
| 214s | TREMBLAY: Without that… person… |
| 217s | my team might have died. |
| 219s | I might have died. |
| 222s | But I have to do my duty. |
| 225s | So you need to account for your whereabouts last night. |
| 231s | I don't know what to tell you. |
| 233s | I was home with Murphy. |
| 237s | SIPS |
| 239s | MUG THUDS ON TABLE |
| 240s | Here's the thing, though. |
| 258s | I found this after the raid. |
| 261s | Slug from a Okoton Kelvin-87 Railgun. |
| 265s | Same model you used in Overwatch. |
| 270s | I never told you this, |
| 272s | but I joined the agency partly because of you. |
| 276s | Testifying at the Petras Hearings. |
| 279s | Doing what you thought was right. |
| 288s | Doing what you think is right can be complicated. |
| 298s | The Overwatch I joined was about raising the world up… |
| 304s | making it a better place. |
| 307s | But by the end, |
| 309s | we lost sight of our mission. |
| 312s | I don't regret what I did… |
| 315s | but it was the hardest decision I ever made. |
| 320s | Do what you think is right, |
| 322s | Agent Tremblay. |
| 329s | # OMINOUS ORCHESTRAL MUSIC BUILDS |
| 334s | MURPHY WHINES |
| 338s | MURPHY SCURRYING |
| 339s | MURPHY GROWLS |
| 341s | MURPHY BARKING |
| 344s | RUMBLING |
| 349s | What the…? |
| 356s | Last night's raid… |
| 359s | The insurgency… |
| 361s | It's all connected. |
| 364s | # EPIC ORCHESTRAL MUSIC |
| 380s | EQUIPMENT BEEPING |
| 384s | CSIS Unit 37, Toronto is under attack… by Null Sector. |
| 388s | Agent in the van, secure the streets at Beverley and Queen. |
| 391s | AGENT: Wait, what? |
| 392s | Rooftop, I need bird's-eye views. Find me a route to evacuate civilians. |
| 396s | MARCHAND: Who is that? Tremblay, are you there? |
| 401s | This is Tremblay. |
| 403s | Do what she says. |
| 406s | She's our best hope. |
| 413s | Vivian. |
| 414s | MURPHY BARKS |
| 415s | Orders, Captain? |
| 418s | Stay on the comms. |
| 420s | We've got a city to save. |
| 423s | # MUSIC CRESCENDOS |