devtrackers.gg
over 1 year
ago -
Play New World
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Transcript (by Youtube)
| 0s | something's changed something's |
|---|---|
| 2s | different I feel like the the music got |
| 4s | better I saw the players sing that in |
| 6s | the forums |
| 7s | so this is what happened |
| 10s | there was a lot of tracks that you know |
| 11s | were temp but approved and so after that |
| 14s | we started recording the orchestra we |
| 16s | remixed the tracks and then we we |
| 18s | updated the tracks in the game |
| 21s | that's why the music sounds better |
| 23s | because it is |
| 33s | before |
| 37s | we're working with Remy and Brandon |
| 39s | there are composers they've you know |
| 41s | added five plus hours of Music in the |
| 45s | game and we do a lot of Music In The Box |
| 50s | um using synthesizers and at some point |
| 53s | you know we want to have certain tracks |
| 55s | to stand out when we saw that |
| 57s | opportunity to record real people |
| 59s | you know I thought |
| 62s | we we have something to do here that we |
| 64s | can't do with synthesizers and so I |
| 67s | asked one of our uh narrative lead to |
| 70s | come up with a little poem in English |
| 72s | and uh it was about the people from |
| 75s | eternum I remember this cinematic we had |
| 78s | this shot of the people from Brimstone |
| 81s | Sands a long time ago and they're |
| 84s | climbing this Dune and you have this you |
| 86s | know Sandstorm coming from left and I |
| 88s | see all those people and there's men and |
| 90s | women and children and I'm wondering |
| 93s | like this is a really big anchor for a |
| 96s | narrative point of view we should get a |
| 98s | poem about those people |
| 99s | [Music] |
| 101s | fire engulfed the endless sky as hate |
| 105s | corrupted the land the gods of gone our |
| 108s | Dream destroyed Great Sage please I |
| 111s | stretch your hand Raymond and Brandon |
| 114s | have a long relationship with the Prague |
| 116s | choir |
| 117s | um they've been working with them on |
| 119s | Game of Thrones and a lot of other |
| 120s | movies and I think that's why they made |
| 122s | that decision you know to work with them |
| 124s | uh it's much faster they they know the |
| 127s | people they know how to direct them we |
| 129s | have six spaces whenever it goes to the |
| 132s | very low notes like |
| 135s | we only want like one person down there |
| 137s | the rest should be |
| 139s | you know in this octave you take it for |
| 142s | granted but the quality you get from |
| 144s | performers is so much better than you |
| 147s | know what you can get in the box with |
| 148s | synthesizers or libraries from a |
| 151s | computer it's a live game what's a live |
| 154s | game it's a live it's a living thing |
| 156s | what's better than you know real people |
| 158s | singing the music we want where we work |
| 160s | on to be better every day we constantly |
| 163s | play that game and we're constantly |
| 165s | listening to those sounds those tracks |
| 167s | we have an opportunity to do something |
| 169s | cool add more storytelling to the game |
| 171s | and make this music better we have that |
| 173s | opportunity you know we have to take it |
| 178s | [Music] |
| 206s | thank you |
| 210s | [Music] |
| 217s | foreign |
| 221s | [Music] |
| 232s | [Applause] |
| 235s | [Music] |
| 259s | thank you |
| 261s | [Music] |
| 263s | away |
| 267s | is |
| 270s | [Music] |