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| 5s | [Music] |
|---|---|
| 14s | [Music] |
| 21s | hello everyone hello hello |
| 24s | hi welcome to the art of Warframe panel |
| 29s | we've got about 55 minutes here to show |
| 32s | you some of the incredible stuff the |
| 33s | team has been working on we've got some |
| 35s | sneak peek some neverbe seen Concepts |
| 38s | and some really big reveals and it's |
| 41s | jam-pack so I'm going to stop yapping |
| 42s | and let these guys introduce themselves |
| 45s | say hello Cary hello what do you do here |
| 48s | um I'm the art director on Warframe hi |
| 51s | everybody hi Gary yeah Marco I'm Marco |
| 56s | associate art director on war fromia |
| 58s | yeah Marco give it up for Marco all |
| 61s | right Cass hello hello I am Cass I am |
| 65s | the lead weapons artist on Warframe yeah |
| 68s | Caz W wo and the lovely Greg hello Greg |
| 74s | hi guys my name is Greg and I'm the |
| 76s | character lead on Warframe and I tried |
| 79s | to upstage Cass wearing these sunglasses |
| 81s | but I just can't pull it off as where's |
| 83s | your leather jacket you're missing the |
| 85s | Lether |
| 86s | jacket all right and my name is Danielle |
| 88s | Sakowski I'm your host for for today I'm |
| 91s | also Warframe senior community manager |
| 93s | thank you for coming and watching and |
| 95s | hello everyone watching from home |
| 98s | hello all right so Ember heirloom |
| 101s | collections launched this morning very |
| 104s | exciting Ember Prime is also available |
| 107s | right now through Prime Resurgence but |
| 110s | you know who else is available right now |
| 112s | Rhino Prime so wouldn't it be cool if |
| 116s | Rhino got an |
| 118s | heirloom oh |
| 123s | yeah our boy Rhino is going to be uh |
| 125s | next up to be receiving the heirloom |
| 127s | treatment and now this is a pretty |
| 129s | special one for us isn't it Carrie yeah |
| 132s | this one's great I mean uh for us to be |
| 134s | able to lead the panel with something |
| 135s | from minky is uh feels absolutely great |
| 137s | because of course he's the foundation of |
| 139s | so much of what we've done on the art |
| 141s | side right from the very beginning so |
| 143s | wicked uh piece right there as as you'd |
| 146s | expect absolutely we love you minky |
| 148s | thank you for this so you can expect |
| 149s | this in |
| 151s | 2025 um we'll also be showing more of |
| 155s | rhu rhu rhino heirloom in future Dev |
| 158s | stream so you'll want to tune in for |
| 160s | that um now if that wasn't spicy enough |
| 164s | as is why don't we take a look at the |
| 166s | next prime |
| 168s | access yeah yeah we're starting off hot |
| 171s | here guys the epit |
| 175s | Prime uh oh okay all right all right um |
| 180s | now CS this is a pretty interesting |
| 181s | layout for a prime weapon uh why would |
| 185s | that be for the Epitaph Prime yeah so |
| 187s | the epap prime is actually a really |
| 189s | complicated weapon if you've ever used |
| 191s | it it's got a lot of moving Parts on it |
| 193s | lots of like little arms that move |
| 195s | around in articulate it's got like a |
| 197s | little scope thing on the top and it |
| 199s | shoots those huge square projectiles |
| 202s | that kind of um come back like they just |
| 206s | disintegrate from space and then come |
| 208s | back again so um uh it's really useful |
| 212s | for concept art to be laid out like a |
| 213s | blueprint like this so you can see every |
| 216s | single part clearly and then we can just |
| 218s | model it it's great yeah and leer was |
| 221s | the original uh concept artist for the |
| 224s | epith the base epith as well yep yeah |
| 226s | which is great hi liger is lier watching |
| 229s | I hope Leer's watching from home hello |
| 231s | um also I apologize to the panelists |
| 233s | because I've made this really difficult |
| 234s | for you guys to talk about the Epitaph |
| 236s | Prime without spoiling what's coming up |
| 237s | next although maybe some of you in the |
| 239s | crowd already know what's coming maybe |
| 242s | let's take a look at it fully constru |
| 244s | yeah hey there you go Cass this is your |
| 247s | work what was it like uh turning the |
| 250s | concept into this gorgeous uh specimen |
| 252s | we see here well it it's always it's |
| 255s | always a treat being able to work from a |
| 257s | concept that's that's that is that |
| 260s | detailed and uh yeah and then you always |
| 262s | end up embellishing a whole lot on top |
| 265s | of that because you can't always draw |
| 266s | every single little tiny detail into |
| 268s | everything so um um yeah I got to be |
| 272s | able to kind of add some flourishes and |
| 275s | um just put my own little touches onto |
| 278s | it in addition to Liar's amazing art the |
| 282s | Cass special all right so I know Cass |
| 285s | you mentioned that the EP as we know is |
| 287s | already a pretty complex weapon in terms |
| 289s | of movement and what you see in its |
| 291s | animation so why don't we actually take |
| 293s | a look at what this weapon looks like in |
| 295s | action we got a video here |
| 297s | yeah yeah ooh we love that |
| 302s | satisfying yeah charge shot that's a |
| 305s | good one it's also got a custom VFX as |
| 307s | well and I know we kind of had to um do |
| 310s | a bit of upgrading to the animations as |
| 311s | well to fit um how the epith functions a |
| 315s | little bit so shout out Tim sorman um I |
| 317s | know he I think he apologized you guys |
| 319s | for saying like sorry we made the epit |
| 321s | so complicated I'll fix it don't worry |
| 324s | but uh here we are looking the original |
| 327s | one the little arms on the side actually |
| 329s | stretch a whole bunch for these |
| 330s | animations so for to clean it up for the |
| 333s | prime I decided that we should probably |
| 335s | do like ball joints or something but um |
| 338s | Tim went further with it and decided to |
| 340s | streamline it even more once he got to |
| 342s | the animation phase so just alog |
| 344s | together it just ended up being a very |
| 346s | bespoke experience with this one yeah |
| 349s | looking really badass too all right so |
| 351s | what else do we have in this totally not |
| 353s | obvious based off of what you've seen |
| 355s | already upcoming Prime access how about |
| 357s | a new Prime Sentinel |
| 362s | oo more specifically the Nautilus Prime |
| 365s | yes our trusted railjack Sentinel wink |
| 369s | wink um and as you probably would guess |
| 371s | with this little guy uh the Nautilus |
| 373s | will be coming Nautilus Prime rather |
| 375s | will be coming with its signature weapon |
| 377s | the vergas prime and also some yeah some |
| 382s | Prime Sentinel accessories Cass we did a |
| 385s | did a little number here with these |
| 387s | anything uh anything interesting about |
| 390s | the uh accessories that we see them up |
| 392s | here yeah so this is a pretty |
| 394s | complicated Sentinel with some pretty |
| 396s | complicated looking uh accessories as |
| 398s | well we put a bunch of flourishes on |
| 400s | with the uh effects on this one to maybe |
| 404s | match something else a little better H |
| 408s | um also just so that you know you guys |
| 411s | can understand what you're seeing here |
| 412s | we've got the wings the tail and we've |
| 415s | also got the mask and it is being |
| 417s | modeled on the uh Nautilus Prime but it |
| 420s | will be equipable on any and all of your |
| 423s | Sentinels all right |
| 426s | so we've got the Epitaph Prime Nautilus |
| 430s | Prime the Prime Sentinel accessories got |
| 432s | some pretty good Clues here any guesses |
| 435s | on who might be the featured Warframe in |
| 438s | this Prime access oh my God no |
| 442s | hesitation yeah you got |
| 448s | it that was record speed also probably |
| 451s | some Cosmic twitch messages coming |
| 453s | through pretty rapid fire all right yes |
| 456s | our uh captain of The Tempest stari saag |
| 459s | goth Prime is our next prime access so |
| 462s | uh Greg what were some of the |
| 464s | Inspirations themes maybe even uh you |
| 467s | know uh epochs time periods that |
| 470s | inspired seag goth Prime yeah I think uh |
| 473s | seag goth obviously you know there's a |
| 476s | lot of Illusions to kind of a naval um |
| 479s | and a seab bearing sort of themes so for |
| 482s | this one Leer's concept was directed to |
| 485s | more towards more like 18th century you |
| 487s | know you see the TR tror Tri corn hat |
| 490s | motifs maybe a little powdered wig a |
| 492s | little braid um you know the tassel on |
| 495s | kind of a parade night naal uniform um |
| 498s | and so you know obviously knocked it out |
| 500s | of the park it's a very seag goth is a |
| 502s | very complex character you know in |
| 505s | normal form and I think um the prime |
| 508s | only Cascades the complexity High 100% |
| 511s | And now another liger original here |
| 513s | liger also the original concept artist |
| 516s | of seag goth now Carrie what's it like |
| 519s | for an artist to come back to their |
| 522s | previous work and get a chance to make |
| 524s | something Prime out of it uh well it is |
| 526s | a bit of a different thing for us |
| 528s | because you know like often an artist |
| 530s | does a piece and then it goes out but |
| 531s | with live surface things sort of come |
| 533s | back to you so I guess um you know for |
| 536s | other Industries you'd be doing your |
| 537s | sequels and stuff like that if you're |
| 538s | lucky enough to and in our case you know |
| 540s | you get to come back to something like |
| 541s | this and suddenly you're doing a |
| 542s | powdered wig and Warframe so yeah super |
| 545s | special for our concept artist um I know |
| 548s | we've got kind of like a don't talk to |
| 550s | me or my son or my grandson situation |
| 552s | happening in the concept for those of |
| 555s | you who are familiar with seag goth you |
| 557s | you'll recognize the little dude or |
| 558s | maybe not on the end there we'll get |
| 560s | back to him in a bit but of course an |
| 563s | essential To seag Go's characteristic is |
| 567s | his shadow yeah yeah and this is this is |
| 572s | crazy the exalted Shadow yeah Cass Cass |
| 575s | has got the uh I'm a fan got the claws |
| 578s | unlocked there um this is obviously very |
| 581s | very cool um what was the direction of |
| 584s | the shadow in comparison to seago was |
| 587s | there some kind of like additional |
| 588s | resources or um references that were |
| 591s | used yeah you can tell in the concept |
| 594s | excuse me you know some of the Quilted |
| 596s | tufted leathers and fabrics obviously |
| 599s | some you know deep sea creature some |
| 601s | fins and you know um the Sha well it's |
| 604s | kind of almost like a shawl on top of um |
| 607s | the saag goth Prime so it really kind of |
| 610s | exaggerates the profile and makes it |
| 612s | much more Regal and U you know blending |
| 615s | both the creature and almost like a |
| 616s | parade uniform and you know so really um |
| 620s | bringing up the the feeling of kind of a |
| 622s | Regal Royal and parade uniform so oh we |
| 626s | love that um on the left there we also |
| 628s | see kind of like a rough rough sketched |
| 630s | outline of what I believe is base shadow |
| 634s | um so how does the team create such |
| 636s | extravagant designs that can still fit |
| 639s | on the base mesh that is already need to |
| 641s | consider you know this is a playable |
| 644s | character it has abilities it has his |
| 645s | own set of abilities you still need to |
| 647s | be able to see nothing needs to off |
| 648s | youate players view so how do you guys |
| 650s | go in achieving that and getting |
| 652s | something like this uh something like |
| 654s | this is probably something you do after |
| 655s | you've been doing it for a long time you |
| 657s | know that that does help but um you know |
| 659s | the premises like if you were sculpting |
| 660s | with Clay you'd have like the wire |
| 661s | Armature at the bottom and that's how |
| 663s | your arms and your shoulders and |
| 664s | everything move and that's still you |
| 666s | know the major points um but then beyond |
| 669s | that you know it can get more and more |
| 671s | complicated as time and I think you know |
| 673s | Greg you've had to do these things for |
| 674s | years and years so like is there three |
| 676s | top tips for that uh you know there's |
| 679s | really no secret I think there's a lot |
| 680s | of trial and error and um you know we |
| 682s | use a software like base camp that |
| 684s | tracks enti progress of a task and we |
| 686s | were just talking about it earlier in |
| 688s | backstage and um you know kind of when |
| 691s | you review a particular asset and the |
| 693s | steps it goes through back and forth um |
| 696s | sometimes it's it's a little bit of just |
| 697s | hard work and a lot of perseverance and |
| 699s | we can kind of get it there and really |
| 701s | comes together in last 25% yeah and come |
| 704s | together it did because this is this is |
| 705s | a crazy we're going to maybe get a |
| 707s | little bit of a closer look at it later |
| 709s | um but why don't we get into an |
| 711s | accessory coming with SE golf Prime |
| 713s | access which is a our first uh Prime |
| 718s | Signa to ever come in a prime access and |
| 721s | I also believe this is the first Signa |
| 723s | style where we kind of divert away from |
| 726s | the Halo stylings that we've been doing |
| 728s | thus far so why did we want to take a |
| 730s | new Direction with it with uh |
| 732s | seov oh because uh we were trying to |
| 735s | take some stylings from the uh character |
| 738s | himself and we thought it would be just |
| 740s | cool if you could put this plume on any |
| 743s | character cuz why not it's cool yeah |
| 746s | everyone become can essentially become a |
| 748s | a a cool really Regal P pirate I guess |
| 752s | at the end of the day um we've also got |
| 756s | yeah we're going to transition into some |
| 758s | in-game shots here um so um we've got of |
| 762s | course the model here and it I think has |
| 764s | you had mentioned that there was some |
| 765s | pretty interesting things going on with |
| 766s | that like golden Sheen that we also see |
| 768s | on there yeah so we noticed this on the |
| 770s | character the character artist was doing |
| 772s | something really interesting um usually |
| 774s | with emissive that that tail is emissive |
| 777s | by the way um we just put black black as |
| 780s | a background so that the emissive color |
| 782s | comes out more boldly but um the |
| 784s | character artist actually put um just |
| 787s | the gold underneath it and let it shine |
| 790s | through a little bit so you get this |
| 792s | beautiful like ephemeral look of just |
| 794s | this gold gleam over everything it's |
| 797s | honestly stunning I was running around |
| 799s | with it in the dev build the other day |
| 801s | and the the feathers bounce around with |
| 803s | you and you get that beautiful Sheen |
| 805s | coming through so good job CZ good job |
| 807s | Team all right character Team character |
| 810s | team shout out all right do you guys |
| 812s | want to see seag go Prime yeah all right |
| 816s | there's our |
| 817s | boy yeah beautiful beautiful boy all |
| 821s | right Antonio is a wizard uh because |
| 824s | taking this from concept to what you're |
| 826s | seeing here is absolutely also um you |
| 828s | can now actually see the back of him |
| 830s | which uh was something that you guys |
| 831s | didn't see in the concept so you can see |
| 833s | even more of that extravagant kind of |
| 835s | design coming through there um as you |
| 838s | mentioned seos base model is pretty is |
| 842s | fairly complex as is so how did you guys |
| 844s | make it possible to kind of push the |
| 846s | limits of how seago could look yeah I |
| 850s | think each prime is its own unique |
| 852s | challenge we obviously want to preserve |
| 853s | some of the original um for pretty |
| 856s | pragmatic tenen reasons right so some |
| 858s | people want to mix and match their |
| 859s | outfit for Prime Parts um but in in the |
| 863s | case of seag goth Prime you know the |
| 864s | real work was quite extensive there's a |
| 867s | significant amount of the vanilla body |
| 869s | underneath so you be able to swap stuff |
| 872s | but you know in order to kind of serve |
| 873s | the design and you know it's it's it's |
| 876s | not such a significant departure in |
| 878s | terms of the themes but I think this is |
| 881s | this Prime in particular is very very |
| 883s | special again sagoth the original saag |
| 886s | goth is a complex one yes and this one |
| 888s | just kind of UPS to notch a little bit |
| 890s | um so yeah it's um again I think with my |
| 894s | previous answer there's there's no real |
| 895s | secret sauce it's just kind of judging |
| 898s | what we can keep and what can we can can |
| 899s | rework and SE goth Prime is an example |
| 902s | where um we put a lot of effort into |
| 904s | really um jazzing them up significantly |
| 907s | yeah and he's stunning now remember how |
| 910s | I mentioned the little guy in the |
| 912s | concept well if you are a seag go player |
| 914s | you know about his passive when you're |
| 917s | down so he's got a really crazy |
| 920s | Tombstone um I don't even I don't feel |
| 922s | like it's correct to call this a |
| 924s | tombstone it's too nice um and Seth is |
| 928s | going to have to open up his own |
| 929s | personal Museum of himself with all the |
| 932s | Tombstones he's racking up at this point |
| 934s | um but we got kind of like a little bit |
| 935s | of like a |
| 937s | grean styling here uh were there any |
| 939s | other kind of like references used it |
| 941s | looks it does look like a museum |
| 943s | piece uh yeah I think um Antonio kind of |
| 947s | took parts of the original mesh and then |
| 950s | we you know you can see in the concept |
| 951s | we wrap this cloth around it it's you |
| 953s | know it it it's not really a tombstone |
| 956s | at this point it's almost almost like a |
| 957s | shrine or a pedestal right |
| 959s | um uh it's very like vanity times a |
| 963s | thousand I think but uh but I think saag |
| 967s | goth deserves it so 100% it looks |
| 969s | amazing it really does and now um while |
| 973s | seag goth is living lavish in his |
| 975s | Tombstone Shadow Prime is going to be |
| 977s | hard at work trying to bring him back |
| 980s | yeah yeah |
| 983s | yeah um those claws are crazy |
| 987s | um are they bigger ger than the than the |
| 990s | base of a goth or are they just |
| 994s | cooler well it is hard to have anything |
| 996s | look worse when some gold so you know |
| 999s | great Point Gary great Point um also um |
| 1003s | Shadow would probably make a really good |
| 1006s | luno player he's basically got aradas |
| 1009s | for arms at this point all right so oh |
| 1014s | also the tail the tail is really fun the |
| 1016s | tail does kind of swish around a little |
| 1017s | bit when you're moving around it's |
| 1018s | really fun |
| 1020s | um all right we are going to so we've |
| 1024s | seen every single piece of seag goth |
| 1026s | Prime in seag Goth Prime access now why |
| 1029s | don't we get a 360 look at seag goth |
| 1032s | Prime and his exalted Prime Shadow there |
| 1036s | he is we'll give him a spin all |
| 1039s | right so to recap we have sagoth Prime |
| 1045s | his exalted Shadow Prime the Epitaph |
| 1047s | Prime the prime signal |
| 1050s | Nautilus Prime Sentinel The Sentinel |
| 1052s | Prime accessories and those are all |
| 1054s | coming in our next prime access all |
| 1058s | right I'm going to let him complete his |
| 1061s | spin there but it wouldn't be an art |
| 1063s | panel without what's that temp Prime |
| 1068s | The Tempest stari Prime did I just hear |
| 1071s | you want a tempest stari Prime I guess a |
| 1074s | a prime Captain does need a prime |
| 1077s | ship Carri |
| 1080s | I don't know that's a big that's a big |
| 1082s | ordeal it's an idea it's an idea it's an |
| 1084s | idea all right keep that keep that in |
| 1086s | the back of our minds um it wouldn't be |
| 1088s | an art panel without showing you guys an |
| 1090s | next Delux skin right all right we're |
| 1094s | going to introduce you now to caliban |
| 1100s | delugs let's see our boy yeah |
| 1109s | yes uh what an upgrade oh my god um okay |
| 1114s | so there are some very cool themes here |
| 1118s | um what were the main source materials |
| 1121s | for calaban |
| 1123s | deluxe uh yeah I I think the original |
| 1126s | calaban is sort of um a a character out |
| 1129s | of Shak Shakespearean play um and it |
| 1132s | kind of portray it as a half human half |
| 1134s | creature so those are the themes we were |
| 1136s | exploring at the very beginning when we |
| 1137s | were concepting this um so something was |
| 1140s | settled on that kind of The Duality and |
| 1142s | that that is what caliban original |
| 1144s | calaban is as well in Warframe so here |
| 1147s | sort of a you know a medieval armored |
| 1150s | Soldier and maybe a bit of like a sea |
| 1153s | creature from the deep from the swamp |
| 1155s | you know kind of blending those two |
| 1158s | elements together right and now Carrie |
| 1162s | how does the team go about choosing |
| 1164s | Deluxe skin themes uh for warframes |
| 1167s | while still kind of honoring and M |
| 1169s | maintaining the core visual elements of |
| 1171s | the Warframe and obviously more |
| 1172s | specifically caliban Deluxe here that is |
| 1175s | a uh definitely a group effort like |
| 1177s | Rebecca's very involved with that step |
| 1179s | as well and there's lots of uh people |
| 1181s | who I identify with each Warframe quite |
| 1183s | well so it's well advocated for and you |
| 1185s | work your way through ideas and uh |
| 1188s | thumbnailing stage and you know there's |
| 1190s | lots of ways to step yourself towards |
| 1192s | that which is what we need to do right |
| 1194s | pretty sure you'd want to make a point |
| 1195s | on one of the other themes for it oh |
| 1197s | yeah well you we we you try to settle |
| 1200s | down on a on a on a main team and over |
| 1204s | what Greg mentioned early on we decided |
| 1207s | to do more of a death KN kind of VIP on |
| 1210s | this one still trying to keep uh some |
| 1213s | characteristics from caliban itself so |
| 1216s | you have the middle section still open |
| 1218s | we went a bit more overboard with the |
| 1219s | VFX there and we know all these |
| 1223s | accessories are going to be also |
| 1225s | inheriting some of this Marco you're |
| 1228s | you're spoiling for people um so yes a |
| 1232s | core element of caliban's Kit as you may |
| 1236s | know uh and kind of lends to his senting |
| 1238s | nature is of course his lethal progyny |
| 1241s | conules which as you can see here have |
| 1244s | also been deluxified if we come back |
| 1247s | over to these |
| 1251s | [Laughter] |
| 1253s | yeah yeah so from their heads to their |
| 1256s | toes to their baton they don't have toes |
| 1258s | to their baton arms um they got a |
| 1262s | completely new look and you guys really |
| 1264s | went the extra mile with this Deluxe |
| 1266s | because I think originally the conules |
| 1268s | maybe weren't going to get Deluxe finded |
| 1270s | and you guys are like n we got to make |
| 1271s | it we got to pull it all the way through |
| 1273s | so how did you go about creating such a |
| 1275s | complimentary companion to calaban |
| 1278s | Deluxe well you you still try to keep |
| 1280s | some of the characteristics from the |
| 1282s | original character in this case uh the |
| 1285s | armored look we we still have some of |
| 1287s | the of the clo in in the back uh of |
| 1291s | course you have to still U go over with |
| 1293s | a rig of the original asset in this case |
| 1296s | was the the conal list but we gave them |
| 1299s | Buton arms or back scratchers back |
| 1303s | scratchers all right so obviously we |
| 1306s | need a equally deadly weapon skin to |
| 1310s | complete the look so this brings us to |
| 1312s | this insanely cool Scythe Deluxe skin um |
| 1316s | Cass tell us a little bit more about |
| 1317s | this yeah so um on the character there's |
| 1322s | a lot of like flushy areas and stuff we |
| 1324s | we kind of want to change those areas |
| 1326s | into something that's not flesh because |
| 1328s | you don't have a weapon that's made of |
| 1330s | like your arm or something that' be |
| 1331s | weird so we kind of leaned more into the |
| 1334s | um hard materials and stuff with this |
| 1336s | one but we still wanted to retain some |
| 1339s | of that ephemeral kind of or ethereal |
| 1342s | kind of look to it so we've got the top |
| 1345s | section is actually floating on the |
| 1347s | effects there and this folds up just |
| 1349s | like the original the Vado um but it is |
| 1353s | a scythe skin for all the sites so |
| 1355s | styled after the Vado but skin for all |
| 1359s | yes all right so a deluxe collection |
| 1361s | obviously wouldn't be complete without |
| 1362s | some kind of cosmetic accessory as well |
| 1365s | so why don't we transfer The Haunting |
| 1367s | Aura of calaban deluxe into an |
| 1370s | [Music] |
| 1373s | ameera yeah um what |
| 1379s | well you you follow the same theme of |
| 1381s | this summoning that night and in this |
| 1384s | case maybe the souls he is picking from |
| 1387s | and right there |
| 1389s | available oh we love it look at those |
| 1391s | guys go oh my goodness all right so |
| 1394s | that's not all for calaban tenno you'll |
| 1397s | want to tune in to tenno live to learn |
| 1399s | more about caliban's |
| 1404s | future |
| 1406s | o all right so since we see caliban uh |
| 1410s | hanging out in Al Brick's Laboratories |
| 1411s | living his best life uh we're going to |
| 1413s | switch it up here and we're going to |
| 1414s | have a look at some of the foundational |
| 1417s | Concepts that brought us the labs and |
| 1420s | the man on thewall environments from The |
| 1422s | Whispers In The Wall update so we're |
| 1426s | going to start with this one here Marco |
| 1427s | this one's really cool what are we |
| 1429s | looking at here these were very early |
| 1432s | steps into the man in the wall project |
| 1435s | in this case uh we knew we were going to |
| 1437s | tie them to the enty lab |
| 1439s | so we took what we had at the time which |
| 1441s | was uh the Deo |
| 1444s | Hall and try to represent the man in the |
| 1448s | wall in this case start |
| 1451s | ideating what would it look like in this |
| 1453s | case literally overlapping to our |
| 1456s | reality and breaking the walls and |
| 1458s | coming through the walls o yeah opening |
| 1460s | up that door into something like this |
| 1462s | yeah yeah gradually you you try and |
| 1466s | picture what's on the other side and |
| 1468s | this case you have this weird kind of |
| 1470s | Labyrinth Sky Box on top some some of |
| 1474s | this floating weird architecture right |
| 1477s | initially we went very generic uh like |
| 1479s | floating p and bits and gradually we |
| 1483s | tried to integrate some more uh |
| 1485s | architectural pieces from the brutalism |
| 1488s | architecture yeah actually we see that |
| 1490s | in we're starting to kind of see that in |
| 1491s | here right yeah yeah and also the you |
| 1494s | know poor |
| 1496s | Excalibur um a very huge P it is yeah it |
| 1499s | kind of gives you an idea um of of what |
| 1501s | you guys were going for in terms of |
| 1503s | scale like really making this tat feel |
| 1506s | impactful and kind of dreadful at the |
| 1508s | same time right like bigger than bigger |
| 1510s | than you bigger than anything well we |
| 1512s | haven't really meant to imply that the |
| 1514s | man in the wall would be like a happy |
| 1515s | person or anything so very fair um oh |
| 1519s | glad you brought that up Carrie because |
| 1520s | we can't talk about these uh |
| 1522s | environments without actually talking |
| 1524s | about the man in the wall |
| 1525s | himself yeah this is crazy I know there |
| 1528s | could have been in like a a million |
| 1530s | different ways you guys could have gone |
| 1531s | in integrating um what we know the man |
| 1534s | as the man in the wall as now um so how |
| 1537s | did you guys settle on those particular |
| 1540s | elements pulled from our boy |
| 1543s | Wall-E um well I mean at the beginning |
| 1546s | we were looking at uh a lot of body body |
| 1549s | horror aspects and stuff right down |
| 1551s | close and um you know you do have to to |
| 1555s | be honest like what is achievable if you |
| 1557s | have to do like a character for |
| 1559s | everything that's not going to get done |
| 1561s | now so uh we simplified in the |
| 1564s | foreground but there's a lot of those |
| 1565s | elements in the Sky Box and similar and |
| 1567s | you know you can see how we uh sort of |
| 1569s | made progress on that uh over time right |
| 1572s | we're seeing a bit more of kind of like |
| 1573s | that brutalism that you guys were |
| 1575s | talking about a lot of stairs and ramps |
| 1577s | that don't really go anywhere maybe |
| 1580s | foreshadowing our our uh prospects here |
| 1583s | but um we also see that a little bit |
| 1586s | more in here as well |
| 1589s | yes a lot of overhead and floating |
| 1591s | pieces as well yeah in the environments |
| 1594s | yeah and I guess that also would have |
| 1595s | lended over to the murmur faction too |
| 1597s | right okay very much wanted being a |
| 1599s | cross-pollination right awesome all |
| 1602s | right so I believe uh oh do I have one |
| 1605s | more here oh we do um this is kind of |
| 1608s | getting to more what we're familiar with |
| 1611s | now uh as you roam around the man- inth |
| 1613s | wall towel set so um we also added |
| 1617s | something here too I believe |
| 1619s | gradually you try to add elements to the |
| 1621s | to your Reginal team in this case we |
| 1623s | started implementing like sand floors |
| 1626s | and sand flowing up weirdly enough why |
| 1629s | does it flow up Marco well we know it |
| 1632s | it's a void Dimension it doesn't really |
| 1635s | have a specific time flow as we normally |
| 1639s | will uh right look at eternalism Eternal |
| 1642s | eternalism all right so from concept to |
| 1644s | execution there are obviously many |
| 1646s | stages uh to how a level actually gets |
| 1649s | built um so let's take a look at the uh |
| 1652s | part of the fragmented uh Arena where we |
| 1654s | went from yeah gray boxes here to what |
| 1657s | you kind of know it as now and uh we're |
| 1661s | going to see a bit more of that sand |
| 1663s | going the wrong way but man lighting and |
| 1667s | uh volumetric fog makes a huge |
| 1669s | difference it it really does help yeah |
| 1672s | we can't say enough it's like thank |
| 1673s | thank you Graphics programmers you're |
| 1676s | great yeah thank you for that because it |
| 1677s | really brings a certain kind of |
| 1680s | moodiness and and liveliness to these |
| 1682s | towel sets um while you're hacking and |
| 1684s | slashing away there and uh props to the |
| 1688s | environment team and oh yeah it's a team |
| 1691s | sport all the way down but yeah yeah |
| 1693s | which there you go you can see their |
| 1694s | lovely names of the wonderful people who |
| 1695s | worked on that particular tile so yeah |
| 1698s | yes please applaud them please they |
| 1700s | deserve it they deserve their flowers |
| 1703s | absolutely oh that gave me gave me |
| 1706s | chills all right so uh we've seen how |
| 1709s | the man- in thewall sausage is made it's |
| 1711s | time for us to explore Al's laboratory |
| 1714s | since these two areas are very highly |
| 1717s | intertwined of course um what were the |
| 1720s | early days of mapping out Al's |
| 1722s | Laboratories like uh well we were |
| 1725s | working from uh some of the prior work |
| 1727s | with damos so you know you'll see a lot |
| 1729s | of the same bones but of course this has |
| 1731s | uh far far more flourish and you know |
| 1733s | there was what would a mad Victorian |
| 1736s | scientist in a Sci-Fi world wielding |
| 1738s | void Ury |
| 1740s | do a lot of things apparently and a lot |
| 1744s | of really neat Machinery to accomplish |
| 1747s | those tasks some Arcana and what not |
| 1750s | time seems to be a very important theme |
| 1752s | Here Yeah if you need to time your eggs |
| 1754s | or go back in time you've got your |
| 1757s | machine right there thanks Albert all |
| 1760s | right also obviously oh actually before |
| 1762s | we yeah before we get to that we have |
| 1764s | this of course uh the streaming |
| 1766s | connector so what Bridges the gap |
| 1768s | between the sanctum anatomica and you |
| 1770s | actually entering Al's Laboratories and |
| 1773s | this is a a crazy area like I mean |
| 1775s | you're only in there for so many seconds |
| 1777s | but it's just there's a lot happening |
| 1779s | and I really want to know how you guys |
| 1781s | go about concepting something that's |
| 1784s | going to obviously have so much movement |
| 1786s | and impact I think that one actually |
| 1788s | Rebecca may have mentioned some of the |
| 1790s | early type of like gyroscope and clock |
| 1792s | connections and stuff like that then you |
| 1794s | kind of rough it in in the space and |
| 1796s | then you do a few versions to give |
| 1797s | yourself motion sickness and then once |
| 1799s | you get past that um you start to get |
| 1802s | into sort of the same ornate family that |
| 1804s | you see in a lot of other pieces right |
| 1806s | yeah like Ians uh a lot of those highly |
| 1808s | moving parts that we've seen already in |
| 1810s | Warframe all right now uh once you |
| 1813s | actually get into the Lambs you get see |
| 1815s | a bit more of that opulence that classic |
| 1818s | in stylings and uh not only that but we |
| 1823s | also of course get very familiar with |
| 1825s | the vessels in these areas and this is a |
| 1829s | very early concept of the vessel so how |
| 1833s | was that process like well initially |
| 1836s | didn't start as vessels we were thinking |
| 1839s | about albre potentially taking elements |
| 1842s | from the man the wall Dimensions or |
| 1844s | parts of it and bringing it back to the |
| 1847s | labs and and running experiments or |
| 1850s | research in general so yeah you will |
| 1852s | have different body parts looking |
| 1856s | things happening in the labs |
| 1859s | yeah and that's actually what sparked |
| 1861s | the the idea to make a whole a whole |
| 1864s | person whole figure about it and which |
| 1867s | became the vessel later on all right we |
| 1870s | put all the pieces together the heart |
| 1871s | the brain I know there's a brain |
| 1872s | floating around there in the towels and |
| 1875s | uh yeah we get to see a little bit more |
| 1877s | of that kind of exploration here as well |
| 1880s | yeah and I |
| 1881s | think help to that idea was the fact |
| 1884s | that we were doing a hub around it so we |
| 1887s | to feel very big space that was a very |
| 1890s | iconic moment where you're coming down |
| 1892s | out of the staircase you go through the |
| 1893s | doors and then he's kind of leaning and |
| 1895s | it was the thing that kind of check mark |
| 1897s | for the scene um that it all worked so |
| 1900s | yeah thank you Alberto thank you Alberto |
| 1903s | yeah was really impactful moments and |
| 1904s | here is kind of like where we're seeing |
| 1906s | ultimately where we landed with the |
| 1908s | vessels um a bit more familiar to what |
| 1910s | we what we know it as now um and then I |
| 1914s | do believe we also have a very cool |
| 1917s | progress video of Al's Laboratories with |
| 1919s | a tile that prominently features the |
| 1923s | vessels yes it's amazing to see and this |
| 1927s | is only 40 seconds of a video but this |
| 1930s | is like potentially months of work put |
| 1933s | put in from the team at this step you |
| 1935s | know a lot of like the Lego pieces so to |
| 1937s | speak so like your walls and things like |
| 1939s | that are pretty well established so |
| 1940s | parts of it click in pretty quick but um |
| 1943s | yeah the the work to get to the point |
| 1945s | where these things can go quickly is |
| 1948s | it's a it's a huge pile so absolutely |
| 1951s | and again that lighting coming in the |
| 1953s | volumetric fog just making it so moody |
| 1956s | yeah and there's the sand again it's |
| 1958s | back all right yep again another |
| 1962s | Applause for our wonderful |
| 1968s | team and we can't talk about Whispers In |
| 1972s | The Wall without talking about 1999 |
| 1975s | right so I love this this piece I just |
| 1977s | want to say no it's it's one of the and |
| 1979s | it's also one of the cooler well there's |
| 1982s | lots of cool moments in that Quest but |
| 1983s | this is a pretty fun moment of the quest |
| 1984s | you know you're wandering around the |
| 1985s | labs you hear that like subway chime you |
| 1988s | hear the voice over come on and then the |
| 1990s | next thing you know it's ripping right |
| 1991s | in front of you and um it kind of leads |
| 1994s | us |
| 1996s | into uh the really really cool uh moment |
| 2000s | with Arthur and uh is this kind of is |
| 2003s | this is this the Arthur concept is this |
| 2005s | where you guys kind of envisioned that |
| 2007s | going in the |
| 2009s | quest uh this would be illustrating some |
| 2012s | of the early ideas for the quest yeah um |
| 2014s | you know we hadn't completely settled on |
| 2016s | Arthur at this point as you can kind of |
| 2018s | tell by the the head but you know other |
| 2020s | than that yeah this is trying to capture |
| 2022s | those moments which I think you know |
| 2023s | folks will remember from the quest |
| 2025s | fairly clearly yeah absolutely and then |
| 2028s | yeah we can see a little bit here of |
| 2029s | that um building out the subway itself |
| 2033s | and I imagine you guys had quite a |
| 2034s | myriad of references to pull from uh |
| 2037s | 1999 |
| 2038s | and uh was there uh anything in |
| 2041s | particular that kind of helped build |
| 2043s | this Subway area up that we're briefly |
| 2046s | in for a little bit |
| 2049s | but well I mean like some of us were old |
| 2052s | enough to experience it pretty well so |
| 2054s | fair enough y fair enough all right |
| 2057s | and we're so glad everybody was able to |
| 2060s | get here because it sounded like a bit |
| 2061s | of a bad couple of days so yeah it looks |
| 2064s | like history is repeating itself and |
| 2066s | maybe Mike has a iic um I don't know |
| 2070s | some kind of look into the future yeah |
| 2073s | uh we didn't have a crystal ball but you |
| 2075s | know we were thinking about it yeah |
| 2077s | things haven't changed much since 1999 |
| 2079s | but what a strange relic of the past oh |
| 2082s | wow we also see someone's kind of poking |
| 2085s | their hat out there in the |
| 2086s | window we also obviously can't talk |
| 2089s | about uh This Moment In The Quest |
| 2090s | without bringing in our boy |
| 2092s | Arthur yes we love Arthur we love Arthur |
| 2096s | and OB uh also more specifically his |
| 2098s | weapons which you guys have been asking |
| 2101s | uh us to give you and luckily if you're |
| 2104s | watching this panel and the rest of the |
| 2106s | panels you are actually earning the ax |
| 2108s | 52 that you see in his hand right now |
| 2110s | via twitch drops and if you guys are in |
| 2113s | here right now don't worry we're sending |
| 2115s | you an email with the code um so let's |
| 2117s | have a look at some of the exploratory |
| 2119s | Concepts that went into the ax 52 now |
| 2123s | Cass as I understand it this was a |
| 2124s | pretty interesting exercise for the team |
| 2127s | on you know going through a more kind of |
| 2130s | traditional Weaponry yeah so everyone on |
| 2133s | the team has different uh likes and |
| 2135s | dislikes and like things that they're |
| 2136s | comfortable with making and things that |
| 2138s | they really want to make people like |
| 2140s | doing infested people like doing the |
| 2142s | Corpus stuff or the tenos stuff there |
| 2144s | are some people who really just wanted |
| 2145s | to make some real life weapons and this |
| 2148s | is about as close as we're going to get |
| 2149s | in Warframe um and we had two very |
| 2152s | enthusiastic people working on this |
| 2154s | people who are big fans of the original |
| 2157s | real life counter are part of this |
| 2159s | weapon obviously the AK-47 so it was |
| 2161s | really cool to see their enthusiasm come |
| 2163s | through on both the concept and the |
| 2165s | modeling of this weapon yeah we can see |
| 2168s | that we're getting this final concept |
| 2171s | piece that brought us to of course the |
| 2174s | weapon itself this is very cool and |
| 2177s | again ax 52 this is yours guys it's a |
| 2180s | full-blown weapon that you'll be able to |
| 2182s | use now we can't forget about Arthur's |
| 2185s | melee weapon either |
| 2188s | yes and uh this will be a sword skin |
| 2191s | that you can equip on your swords now um |
| 2194s | the cloth around the rasso of the sword |
| 2199s | I'm not sure I'm not a sword olist I |
| 2200s | don't know what that is but is it is it |
| 2202s | fashion or is it function maybe a little |
| 2205s | both you know like you got to wipe your |
| 2207s | sword off |
| 2208s | sometimes arur sty conveniently red |
| 2211s | colored you know just you never know |
| 2213s | what you're going to be wiping off maybe |
| 2215s | it's just ketchup or something right |
| 2217s | well run some jam on your toast in the |
| 2219s | morning you know yeah Arthur's got to |
| 2222s | feed himself before he goes out and |
| 2223s | hacks and slashes all those Bad Dudes |
| 2225s | out there but were there other kind of U |
| 2228s | embellishments that we explored other |
| 2231s | than the cloth for the sword yeah at |
| 2233s | some point we were thinking about |
| 2234s | putting maybe a tagachi or something on |
| 2237s | it the idea of Arthur having a little |
| 2239s | tagachi buddy |
| 2242s | is incredible I think we need to maybe |
| 2244s | make that happen at some point um but |
| 2246s | yes you will be able to equip this uh |
| 2248s | protocol sword skin on all of your |
| 2251s | swords in the 1999 update we've also got |
| 2254s | more 1999 weaponry and here's something |
| 2257s | you guys haven't seen |
| 2260s | yet yeah it's a good one all right we've |
| 2265s | got like a camcorder situation going on |
| 2267s | in there so Cass what do we what's going |
| 2270s | on with this here weapon yeah it's got a |
| 2272s | little '90s style little flip out screen |
| 2276s | you know it's '90s yeah |
| 2278s | and again like this was um probably a a |
| 2281s | cool way for you guys to explore a bit |
| 2284s | more what we can do like on the tech |
| 2286s | side of things like how do we want to |
| 2287s | implement more of that '90s Tech into |
| 2289s | even our |
| 2290s | Weaponry yeah so all of the textures |
| 2293s | that we're exploring here are um going |
| 2295s | to be shared across all the weapons and |
| 2297s | stuff and we've got these weird tubes |
| 2300s | going on there I wonder what those are |
| 2301s | for oh can we can we tell them or is |
| 2304s | that not not yet oh I see Greg shaking |
| 2306s | his head spoilers spoilers okay nope |
| 2308s | we're not going to get into it |
| 2310s | anything um here we can see it actually |
| 2314s | yeah yeah now I really want to know |
| 2317s | what's in the tubes I keep looking oh |
| 2320s | all right we'll have to just wait and |
| 2322s | see and um it does bear a similar theme |
| 2327s | to some other things you may see later |
| 2330s | on all right so we got a bit of a an |
| 2334s | interim here um we're going to look at a |
| 2337s | little bit more more of the 1999 content |
| 2339s | to come but before let's take uh a |
| 2343s | moment to announce that there will be a |
| 2345s | limited time opportunity for players to |
| 2347s | submit their 1999 themed Drifter |
| 2351s | accessories so uh if you are a tenen |
| 2354s | artist or if you are a aspiring tenen |
| 2357s | artist I know we actually have a tenen |
| 2359s | workshop Cass you're going to be on that |
| 2361s | for those of you attending here I think |
| 2362s | it's at three yeah how many tenen people |
| 2365s | are out here in the crowd |
| 2368s | there's a |
| 2370s | few I heard a clap but if you'd like to |
| 2373s | yeah check out the uh T yeah but if |
| 2377s | you'd like to get in some cool 1999 |
| 2379s | accessories we will have a more detailed |
| 2382s | post after tenno live tonight so you |
| 2384s | want to keep your eyes out for that what |
| 2386s | do you guys uh what do you guys want to |
| 2388s | see our tenno genen artists do for 1999 |
| 2391s | content there's so much well obviously |
| 2393s | shutter Shades all right yes yes okay |
| 2397s | see people are agreeing all right we are |
| 2402s | going to change gears here change gears |
| 2406s | thank you kez put that in just for you |
| 2409s | uh we're going to take a look at |
| 2410s | warframe's next vehicle the atomy cycle |
| 2413s | but since AE was introduced with the |
| 2416s | atomi cycle earlier this year um it only |
| 2419s | feels right to also introduce you to her |
| 2425s | floof yes very adorable we have Arthur |
| 2430s | now we have OE Greg what's it what's it |
| 2432s | been like for the team |
| 2433s | to kind of venture out in in floofs yeah |
| 2437s | these are really fun um I don't want to |
| 2441s | spoil too much but these might not be |
| 2443s | the only Flo that might be coming um but |
| 2447s | yeah we we made one for Arthur and um |
| 2450s | AWI was a logical choice but again I |
| 2453s | don't want to spoil too many things here |
| 2455s | so okay we keep it safe all right so |
| 2458s | we're going to take a closer look at the |
| 2460s | atomic cycle that AE was leaning on |
| 2462s | we've got a really cool video to show |
| 2464s | them off let's see the atomic cycle |
| 2469s | yeah yes yes de has a lot of motorcycle |
| 2473s | uh enthusiasts and actually a lot of the |
| 2476s | a lot of the animators actually ride |
| 2478s | bikes which came in |
| 2480s | handy and uh I know Cass you're a you're |
| 2483s | a fan of motorcycles and you're also |
| 2486s | maybe a really good friend of the stugs |
| 2487s | so oh I'm hearing oo and Oz yes did the |
| 2490s | skin change yes there will be skins a |
| 2493s | few skins coming yes we do have a few |
| 2494s | skins coming aren't all of them by the |
| 2496s | way oh oh I didn't know that oh Cass |
| 2499s | keeping secrets um so yeah tell us Cass |
| 2502s | what's it been like to bring this new |
| 2504s | vehicle into into Warframe with the team |
| 2506s | so um when I got word that we needed um |
| 2509s | theama cycle ready for the packs trailer |
| 2512s | pretty quickly I decided that I needed |
| 2514s | to become a motorcycle expert very |
| 2516s | quickly so that I could lead my artists |
| 2519s | uh to create the motorcycle there no way |
| 2521s | I was making it that fast so I recruited |
| 2524s | three of my guys um it was Andrew um |
| 2528s | Fodor and Vladimir and we worked |
| 2532s | together to bring this to life and then |
| 2534s | I did the final textures on it and then |
| 2536s | we started making skins and that's the |
| 2538s | really fun part yes that's the fun part |
| 2540s | and I and I as understand it there'll |
| 2542s | also be um color customizable to a |
| 2544s | certain degree yep yeah and we love that |
| 2548s | yeah oh a clap we got yeah yeah we love |
| 2550s | fashion we love fashion and Warframe we |
| 2552s | love |
| 2554s | colors um all right so with such a cool |
| 2559s | um bike you're going to need an equally |
| 2562s | cool pair of keys set of |
| 2566s | keys and I don't know if the camera is |
| 2569s | able to get like a cool shot of Cass but |
| 2571s | Cass you you always come with the props |
| 2573s | and Cass made a real atami Cy well real |
| 2576s | I don't atomi Cycles don't exist but |
| 2579s | yeah I don't know if you guys can see |
| 2580s | that but looking |
| 2582s | fresh um now obviously I think we can |
| 2586s | tell which of the keys is the atomy |
| 2589s | cycle key do the other keys do anything |
| 2591s | are they anything special house keys |
| 2594s | there's something scratched out there on |
| 2595s | one of them I wonder what that one says |
| 2597s | okay take your screenshots y'all and try |
| 2599s | and see if you can decipher that all |
| 2602s | right now um we also have a video here |
| 2607s | uh from our animation team and I don't |
| 2610s | believe this is the first time you guys |
| 2611s | are actually seeing some of the oh man |
| 2614s | yeah okay this is the first time you |
| 2615s | guys are seeing some of this so let's |
| 2617s | see a little bit of |
| 2619s | it |
| 2621s | see yep |
| 2623s | yep um this is very oh oh orthopedic |
| 2628s | surgeons look |
| 2630s | away yeah incredible so that's just some |
| 2634s | of the animations just a little just a |
| 2637s | little there's a lot they're very |
| 2639s | there's a lot um yeah shout out Jay too |
| 2641s | who is also a rides a motorcycle as well |
| 2645s | so you go all |
| 2648s | right now we've got the cool fast bikes |
| 2651s | we've got the cool keys where are you |
| 2654s | going to |
| 2655s | go how about the |
| 2660s | mall |
| 2662s | what we're going shopping |
| 2665s | actually yeah |
| 2668s | a mall in Warframe this looks very |
| 2670s | familiar to me because this was my old |
| 2672s | stomping grounds as a a mall rat myself |
| 2675s | but this is not what I would expect to |
| 2678s | see in Warframe so it's going to be kind |
| 2681s | of hard for us to talk about some things |
| 2683s | without spoiling anything |
| 2685s | but can we say anything about this |
| 2690s | hallway or not it might be very familiar |
| 2693s | at some point for players okay okay oh |
| 2696s | it does get more familiar yes it does um |
| 2700s | with a little hint of something new |
| 2702s | though this isn't exactly the infested |
| 2704s | were entirely familiar with um we went |
| 2706s | from something like really pristine and |
| 2709s | Polished here to kind of a mess and uh |
| 2713s | I'm just curious uh what's going on here |
| 2715s | what we got what we're looking at well |
| 2716s | we know that the infested are a part of |
| 2719s | the 1999 experience so in this case we |
| 2722s | were trying to see how we could make |
| 2724s | them a bit more spicy for this section |
| 2728s | the investigate get spicier than what |
| 2730s | they are right now oh my God I'm |
| 2732s | terrified apparently they do oh my god |
| 2734s | um Corey um actually let me know as well |
| 2737s | I'm going to just read a quote here um |
| 2740s | you wanted to create angler fish like |
| 2742s | lures to um kind of pull out any |
| 2745s | potential victims he pulled a lot from |
| 2747s | arcade games and other electronics to |
| 2749s | kind of merge in with that infested |
| 2751s | style appropriate era TVs and stuff like |
| 2754s | that and um referenced a lot of jungles |
| 2756s | and abandoned malls maybe maybe one that |
| 2758s | we are familiar with but we also have |
| 2762s | got to have a furniture store uh perhaps |
| 2765s | you're looking for a mattress um |
| 2767s | hopefully not the ones you get at cedus |
| 2770s | um cuz they're kind of nasty um yeah |
| 2773s | we've got again not sure how much we can |
| 2775s | really Spill the Beans here on but uh no |
| 2779s | there'd be some very upset people who |
| 2780s | will be showing up later that would kill |
| 2782s | us y well let's take a look and see um |
| 2784s | what else is going to be there oh |
| 2788s | the mall's Watering Hole we've got pizza |
| 2791s | Burgers um and a high chance of food |
| 2793s | poisoning I'm guessing as well um yeah |
| 2796s | the graphics are very fun for this |
| 2798s | actually this might look familiar to you |
| 2801s | guys maybe tease this a little maybe |
| 2804s | tease this a little bit yeah all right |
| 2806s | so you fill up on Pizza you fill up on |
| 2809s | Burgers you take your greasy grubby |
| 2812s | fingers over to the |
| 2813s | arcade |
| 2815s | mhm um I can smell this carpet through |
| 2820s | the the screen it's just |
| 2824s | feet um this is cool though because we |
| 2827s | have a chance to make some games within |
| 2831s | a game any games that we |
| 2834s | can spoil anything about the games well |
| 2837s | yeah I mean this is uh some folks |
| 2840s | childhood right there as well so it's an |
| 2842s | interesting location for us to uh to see |
| 2844s | and I think you'll get a kick out of it |
| 2846s | later uh today yes yes yes thank you |
| 2850s | yeah you will be visiting this later |
| 2854s | today don't be late I think everybody |
| 2856s | expected that per yeah okay yes this is |
| 2859s | true this is |
| 2860s | true all |
| 2862s | right we're getting up to our our final |
| 2865s | area here what's the time looking like |
| 2868s | all right so now who might you meet in |
| 2872s | 1999 what characters will you come |
| 2874s | across maybe even in a place like this |
| 2878s | how about a new |
| 2880s | [Music] |
| 2883s | Warframe this is a Keith Thompson |
| 2886s | original Keith hello Keith is Keith is |
| 2889s | Keith here an old one yeah this is an |
| 2891s | old one um what can we say about site |
| 2894s | 09's uh design |
| 2898s | here yeah so this is this is one of the |
| 2901s | um original U Keith Thompson's um |
| 2905s | interpretations for C9 um you can |
| 2908s | probably see we were going for themes of |
| 2910s | maybe like a Weapon Specialist you know |
| 2913s | military war veteran perhaps like an |
| 2915s | infantry expeditionary Marine you can |
| 2917s | kind of see a bit of like an army boot |
| 2919s | banders layers of armor um obviously |
| 2923s | Warf framed up um nothing is nothing is |
| 2925s | ever quite so um generic in Warframe um |
| 2929s | but those are kind of the themes we're |
| 2931s | playing with here right and I know Keith |
| 2933s | um Keith had shared with me that uh the |
| 2937s | PO is pretty integral to his design and |
| 2939s | that uh he couldn't really imagine |
| 2941s | another frame posing quite like this so |
| 2944s | it's going to be pretty interesting |
| 2946s | character I think um and also we see a |
| 2948s | weapon in cyon 9's hand as well now Cass |
| 2952s | is that going to be a weapon that |
| 2953s | players will be able to grab yeah so we |
| 2956s | uh did make a weapon based on this but |
| 2958s | we wanted to change the um the belt feed |
| 2961s | there so that it was a little more |
| 2963s | interesting from the player angle and |
| 2966s | because it's pretty flat from from if |
| 2967s | you looking at it third person and stuff |
| 2970s | um we also wanted to bring some more |
| 2971s | very tenno things into this to give it |
| 2974s | some contrast with the rest of the 1999 |
| 2976s | World so we added a um wooden stock and |
| 2979s | some of our old like more classic kind |
| 2981s | of nods for Warframe into this weapon |
| 2984s | right and uh we're not going to dig too |
| 2987s | much deeper into the weapon but you |
| 2989s | might see it later |
| 2992s | potentially um now we also kind of took |
| 2994s | another stab at it here yeah we have a |
| 2996s | revised conf CT here by Corey and um |
| 2999s | what were some of the things that we |
| 3001s | obviously held true to to the original |
| 3003s | design but that was kind of reviewed |
| 3005s | once again um for purposes of putting |
| 3007s | them in game yeah from what kit gives us |
| 3010s | we usually still try to get another pass |
| 3013s | to a back view in this case eventually |
| 3016s | an Al helmet a color pass as well |
| 3019s | material maybe and so that's the extra |
| 3022s | step to get it closer to the Finish Line |
| 3025s | yes the bells and whistles you can |
| 3027s | really see the fabulous details here as |
| 3029s | well and do you guys want to see him in |
| 3033s | game yeah all right here's our boy |
| 3039s | s09 um I've noticed that the color |
| 3042s | scheme has shifted away from the revised |
| 3045s | concept uh what was some of the some of |
| 3047s | the thinking |
| 3048s | there not really nothing special just |
| 3052s | stepping away maybe from more brownish |
| 3054s | colors into what we went to more green |
| 3057s | something a bit more neutral yeah |
| 3059s | anything else we can say about |
| 3060s | potentially what players could expect |
| 3062s | from him in a terms of maybe abilities |
| 3067s | or no that's people later today sorry |
| 3071s | trying to get I'm trying to trying to |
| 3072s | learn things trying to get things out of |
| 3074s | you guys all right uh this is very cool |
| 3077s | uh very exciting for us this is um a |
| 3081s | site9 is going to be coming out uh with |
| 3083s | the 1999 update yes and you might again |
| 3086s | learn more about him |
| 3089s | later um right we're coming we're like |
| 3093s | we're about to wrap up here we're about |
| 3095s | to wrap up so we've made it to the end |
| 3099s | uh we're about to close the panel off |
| 3100s | but while we do that we've got a 360 |
| 3104s | look at site 09 here so you can really |
| 3106s | get a feel for him yeah yes yes yes yeah |
| 3113s | fabulous there is also I believe |
| 3116s | hopefully High editorial team if you can |
| 3118s | hear me out there um there is an article |
| 3121s | up at warframe.com that features some of |
| 3123s | the artists um work and uh kind of a |
| 3126s | blurb in their own words on working on |
| 3129s | some of the things that they saw here so |
| 3131s | um if you would like to learn more from |
| 3133s | the artists themselves um you can if you |
| 3136s | go on over to that article and shout out |
| 3138s | to our artists who um wanted to share |
| 3141s | that with you guys and um yeah yes yes |
| 3144s | yes you yes you can clap yes |
| 3153s | thank you so much guys for all that you |
| 3156s | do um Warframe is very special thanks to |
| 3161s | you guys and uh thank you Carrie thank |
| 3164s | you Maru Maru Marco thank you to the the |
| 3167s | whole art team you guys and gals are |
| 3170s | amazing uh to uh everybody involved so |
| 3174s | thank you and thank you Danielle for |
| 3176s | putting together present she does so |
| 3178s | much work to make this look smooth cuz |
| 3179s | you know I would not be smooth so they |
| 3182s | made my life easy because they get to |
| 3183s | make this cool stuff here and I just get |
| 3185s | to show it off to you guys so yeah uh |
| 3188s | but yes thank you Carrie thank you Marco |
| 3190s | thank you Cass thank you Greg um can we |
| 3193s | hear another round of applause for |
| 3195s | incredible panelists on stage here |
| 3201s | yeah |
| 3202s | yeah and like uh Carrie said uh thank |
| 3206s | you to our our team um we're so lucky uh |
| 3210s | and proud to have you share your talents |
| 3213s | with us and with the community and we're |
| 3216s | so excited we got to show you some |
| 3217s | really cool stuff today um and of course |
| 3220s | uh thank you to the Warframe team in its |
| 3222s | entirety and uh any kind of we got a |
| 3225s | minute here for any final words any |
| 3227s | final words you want to say to the |
| 3228s | community watching out there thanks for |
| 3231s | playing our game yeah thank |
| 3234s | you think it's a good way to to end it |
| 3236s | off off all right thank you guys for |
| 3240s | watching we've got the sounds of the |
| 3242s | system uh panel up next with Zach and |
| 3245s | the sound teams you're not going to want |
| 3246s | to miss that yet enjoy the rest of tenno |
| 3248s | Kong guys thank you so much for coming |
| 3250s | thank you for watching have a good one |
| 3251s | okay bye |