devtrackers.gg
over 5 years
ago -
Coffee Stain Studios
-
Direct link
Transcript (by Youtube)
| 0s | now I'm recording you guys hi my name is |
|---|---|
| 6s | you will and I'm the sound designer at |
| 9s | Causton studios good sound design is it |
| 13s | sells you of the world |
| 14s | it sells here the object that you're |
| 16s | looking at but it doesn't annoy you and |
| 18s | it doesn't bring you out of the day |
| 20s | immersion I try to make stuff as we go |
| 23s | like when we get a new equipment I try |
| 27s | to make the sound for it we get a new |
| 29s | building try to make the song for that I |
| 31s | think that it's important that |
| 32s | everything has a sound that's not always |
| 35s | the case but they need to be like a |
| 37s | minimal minimal feedback sound for stuff |
| 41s | to be appropriately I can list or tested |
| 47s | I guess a lot of the the feeling of |
| 49s | something comes from the sunshine we |
| 57s | have a fairly huge map and that has to |
| 61s | be filled with a lot of different |
| 63s | ambient sounds for a lot of different |
| 66s | like varied ecological areas we've had |
| 70s | help from some designer called Dennis |
| 72s | Philip oh he's been doing great work |
| 75s | and we couldn't really implement sounds |
| 78s | the way that we've done in the past I |
| 80s | looked at a talk from developers of |
| 83s | Witcher 3 and they had some smart |
| 85s | solutions to doing big world design we |
| 90s | have some requirements early on for the |
| 92s | ambient sound that it should sound alien |
| 95s | that it was important that you feel that |
| 98s | you weren't on earth it's harder than |
| 100s | you think to do to make stuff sound |
| 103s | alien like you want to give someone the |
| 106s | feeling of being in the forest but you |
| 109s | don't want them to hear the birds that |
| 111s | they wake up to every day for factory |
| 114s | buildings I usually try to find out what |
| 117s | we linked us what is being processed |
| 119s | what's being made trying to find |
| 121s | something in real life but it's |
| 125s | close to what I'm trying to replicate so |
| 127s | for a minor for instance I would try to |
| 130s | listen to our minor would sound in real |
| 133s | life and usually the case is that yeah |
| 137s | this sounds like in real life and |
| 139s | no one would ever want to listen to it |
| 141s | animation is very important for some |
| 144s | time making sounds blind is very hard so |
| 148s | it's it's good to have a close |
| 151s | relationship to do stuff with us the |
| 154s | animations though Yannick has been doing |
| 156s | all the music I'm not the one that's in |
| 158s | charge for for saying if it works a lot |
| 162s | but I guess I'm the one that gives in |
| 164s | the most such a pain in the book I'm |
| 180s | also their sunshine but I do sometimes |
| 182s | do a little programming objects with I |
| 190s | sometimes help up with shitty video I |
| 194s | use my supercilious I sound design tools |
| 197s | to clean up all the noise reverbs Peaks |
| 202s | [Music] |
| 204s | for hardware I use sure you can do some |
| 209s | design with a lot of hardware and it's |
| 212s | really expensive |
| 213s | I feel that I I got what I need when I |
| 215s | have a sound card and when I have |
| 217s | software my favorite thing that I've |
| 219s | designed probably the scanning sound |
| 224s | effects I did that for our internal |
| 227s | alpha test two years ago and I did it in |
| 230s | like 20 minutes and it survived up until |
| 233s | now |
| 234s | yeah hopefully we won't get too many |
| 236s | the song sucks do it all again what if |
| 241s | they say that then this don't show me |
| 244s | let they say that releasing now face |
| 247s | both scary and exciting at the same time |
| 250s | for media some titles more scary of |
| 252s | course we've been working on this for |
| 254s | quite some while now and for a lot of |
| 256s | people they are consonants they're like |
| 257s | the first releasing of the game |
| 259s | Malcolm calm face and release but this |
| 262s | is going to be the first time that |
| 263s | people get to see what we've been doing |
| 266s | firsthand |
| 267s | [Music] |